Karen Connelly
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Upcoming Events. GOOD NEWS: Private Salons and Workshops this winter . . .

I am SO looking forward to my Political Writing, Meditation Workshop, and Writing the Sexual Body seminars at the SURREY INTERNATIONAL WRITERS CONFERENCE! October 19-21, 2018. The conference registration is now closed, and many seminars are sold out. (Bravo, Surrey!)

I plan to host several salons (gorgeous and fun parties with wine and poetry), writing workshops, and WriteLife Seminars (healing/meditative) this winter. FINALLY! I’m working out the details with my little team.

Dates and detes to follow. PLEASE SEND ME AN EMAIL IF YOU ARE INTERESTED IN BEING ADDED TO THE GUEST or PARTICIPANT LIST.

Though I do not yet have a dedicated office space, I have regular WriteLife clients work with me in my home/their home. This builds on the OEI Therapy I’ve been studying in B.C. as well as on my current training at the Ontario Psychotherapy and Counselling Centre. OEI is a body and brain-centred trauma therapy developed by Audrey Cook and Rick Bradshaw. I am certified to practice the first level of this therapy.

For those who have asked about private editing: Yes, I can take up to 5 book manuscripts to edit this fall/winter. I prefer to work on relatively strong manuscripts that are past ‘the sentence stage’ of development. These are books (and writers) in need of serious editorial direction but already at a relatively high level of craft.

For other writers with work at an earlier stage, I will also be advising writers through the Humber School For Writers, beginning in January, 2019.


A few words about The Change Room :  

My last four books are heartbreakers. They explore how adults and children survive (and do not survive) violent rupture: war, dictatorial repression, imprisonment, physical and mental abuse by governments and by families.

As an artist, I found myself running on empty. I needed to lift my eyes away from  valiant struggle--at least for a while. (With my next TWO books, I’ll be back at it!)  As a writer and a woman, I needed to delight in my work again. Why does this feels like a shocking thing to admit? Because it is shocking. Most of us do not openly celebrate pleasure and delight.

Enter Eliza Keenan, her demanding job, her sparking sense of humour, and her lustful misbehavior. Enter Shar Radfour and her chosen métiers (sex work, slow sex, and sex therapy). Enter Andrew Taylor, Eliza’s handsome, loving husband with his bemused mathematician’s view of the universe (and of his wife). And enter their two rambunctious children, bringers of delicious, love-filled messes, anxieties, and responsibilities.

In the midst of all this, centre stage, in all its disturbing, forceful glory, enter Sex as one of the main characters in the book, and in life. Sex is the beginning of life, after all: no wonder it preoccupies us. The sex in The Change Room is the kind that most of us do not get enough of. Because we are so busy. Because we’ve been married since 1789. Because the children wake up. Because we don’t want it anyway. Because we feel sick of each other or the world or our jobs or . . .

But who wouldn’t want the best of it, if it were generously offered? Sublime, mind-blowing, heart-expanding, life-affirming sex? This is what Eliza gets a taste of, with free and beautiful (and younger) Shar. Like countless adulterers and adulteresses before her, Eliza enters into that ancient labyrinth of half-truths and outright lies that lead to . . . 

 . . . Come on in and see what it all leads to. Spoiler alert: the ending is not the traditional one. I left perdition out. The woman is not beaten.  Her children do not die.  All over the world, our cultures and our religions, our ‘values’, and plenty of our novels, still embrace the punishment of sexuality in general and transgressive sex by women in particular.

We’ve had enough of that. At least in my book.

A Glance in . . . The Change Room, my new novel, on sale the week of April 10, 2017. This book will make you laugh . . . and provoke other physical reactions . . . I hope this is the first of many my friends . . .
 

 

 

 

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